伊人 Yi-Ren (the person of whom I think)
13'45''
Super 8 transfer to digital
一篇從邱剛健詩篇取材的情書自白，與吳梓安合作配樂的實驗短片，是我的第一個影像配樂作品。
『…假聲。你分辨得出來嗎？好聽嗎？夠性感嗎？…要生要死的叫起來，悽厲又恐怖…』
〈伊人III〉by 邱剛健
Yi-Ren (can be vaguely translated to “the person of whom I think”) is a collaged love letter made of various sources. Such as my super8 mm diaries, karaoke videos, and found-footage from Kang-Chien Chiu (1940-2013)’s films. It is also a queer reading of Chiu. This double channel work use those materials as ready-made affects. Through reproducing and manipulating lines and images, it generates a loose narrative, a dialogue between the subject and the object of desire. As the line “my moans have a bit of Hollywood in them” suggests, our emotions would not exist without acting, or movies we have seen.
realization:Tzu-An Wu
poem: Kang-Chien Chiu
soundtrack: Fang-Yi Liu
narration: Lou Jr-Shin, Tasso Chang
More about Tzu-An Wu and Yi-Ren
13'45''
Super 8 transfer to digital
一篇從邱剛健詩篇取材的情書自白，與吳梓安合作配樂的實驗短片，是我的第一個影像配樂作品。
『…假聲。你分辨得出來嗎？好聽嗎？夠性感嗎？…要生要死的叫起來，悽厲又恐怖…』
〈伊人III〉by 邱剛健
Yi-Ren (can be vaguely translated to “the person of whom I think”) is a collaged love letter made of various sources. Such as my super8 mm diaries, karaoke videos, and found-footage from Kang-Chien Chiu (1940-2013)’s films. It is also a queer reading of Chiu. This double channel work use those materials as ready-made affects. Through reproducing and manipulating lines and images, it generates a loose narrative, a dialogue between the subject and the object of desire. As the line “my moans have a bit of Hollywood in them” suggests, our emotions would not exist without acting, or movies we have seen.
realization:Tzu-An Wu
poem: Kang-Chien Chiu
soundtrack: Fang-Yi Liu
narration: Lou Jr-Shin, Tasso Chang
More about Tzu-An Wu and Yi-Ren
